Probably because it doesn't feel sexy, but that's also because newbies aren't quite sure what they do. In my opinion, preamplifiers are the most important yet also the most underrated piece of gear found in a studio. You've identified the weak link in your recording chain, and you're right. If you're here then you're ready to score a dedicated preamp for your vocals or whatever's running through your signal path. it doesn't make sense and you're not unlocking it's full potential! It's akin to listening to and analyzing a world class mix on tiny speakers with a 128 kbps MP3 file. You haven't heard nothing yet until you run that signal through a proper preamp. It doesn't matter if you're in your studio tracking vocals or instruments with the world's most sensitive and expensive microphone in a perfect acoustic environment. Just how good can any of those components be? This is the kind of scenario where the phrase "Jack of All Trades and Master of None" comes from.Ĭheck this out. These mixers, recording interfaces, and channel strips are offering you countless recording channels, several preamplifiers, a compressor, maybe an equalizer, and A/D and D/A converters for what. "Yeah but it's got Class X Goober pre's in it, so it has to be the best mic preamp!" Don't be a sucker for marketing. Click here to jump straight to the reviews!
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